PELICULA FAX PANASONIC KXFA-54 ROLLOX2
PHOTOCONDUCTOR UNIT RICOH 407324 SP 4500HA 4510DNDN/SP 4510SF
PHOTOCONDUCTOR UNIT RICOH D1272110 PARA MP301
PHOTOCONDUCTOR UNIT RICOH D2052249
PHOTOCONDUCTOR UNIT RICOH M9060130 DESCONTINUADO
PHOTOCONDUCTOR UNIT RICOH M9060136 PARA MP 401 402 SP4520
PICK ROLLER.XEROX 108R01470 PHASER 3330 WC3345
PRESSURE ROLLER RICOH AE020220 PARA PRO 8100
PRINT CARTRIDGE XEROX 013R00669 DESCONTINUADO
RECICLADOR TONER BROTHER WT220CL
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.