CINTA BROTHER TZE-355 WHITE ON BLACK 1″ (24MM)
CINTA BROTHER TZE-441 BLACK ON RED 18MM (3/4″)
CINTA BROTHER TZE-545 WHITE ON BLUE 3/4″ (18MM)
CINTA BROTHER TZE-631 BLACK ON YELLOW 1/2″ (12MM)
CINTA BROTHER TZE-641 BLACK ON YELLOW 3/4″ (18MM)
CINTA BROTHER TZE-651 BLACK ON YELLOW 1″ (24MM)
CINTA BROTHER TZE-741 BLACK ON GREEN 3/4″ (18MM)
CINTA BROTHER TZE-FX631 BLACK ON YELLOW 1/2″
CINTA BROTHER TZE-FX651 BLACK ON YELLOW 1″ FLEXIBLE TZ TAPE
CINTA BROTHER TZE-S141 BLACK ON CLEAR INDUSTRIAL 3/4″ (18 MM)
CINTA BROTHER TZE-S151 BLACK ON CLEAR INDUSTRIAL 1″ (24 MM)
CINTA BROTHER TZE-S211 BLACK ON WHITE 1/4″ (6 MM) INDUSTRIAL
CINTA BROTHER TZE-S221 BLACK ON WHITE 3/8″ (9MM) INDUSTRIAL
CINTA BROTHER TZE-S231 BLACK ON WHITE INDUSTRIAL 1/2″ (12 MM)
CINTA BROTHER TZE-S241 BLACK ON WHITE 3/4″ (18MM) INDUSTRIAL
CINTA BROTHER TZE-S251 BLACK ON WHITE INDUSTRIAL 1″ (24MM)
CINTA BROTHER TZE-S621 BLACK ON YELLOW 3/8″
CINTA BROTHER TZE-S631 BLACK ON YELLOW 1/2″
CINTA BROTHER TZE-S641 BLACK ON YELLOW 3/4″ (18MM)
CINTA BROTHER TZE-S651 BLACK ON YELLOW 1″
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.