Brand
AFP HabitadAFP Habitad 7
Grupo ATVGrupo ATV 2
KFCKFC 4
Linea 1 Metro de LimaLinea 1 Metro de Lima 4
Metro de Lima Línea 2Metro de Lima Línea 2 6
Ministerio de EducaciónMinisterio de Educación 3
Ministerio Publico Fiscalía de la NaciónMinisterio Publico Fiscalía de la Nación 3
PetroPeruPetroPeru 3
SamsungSamsung 6
SKFSKF 7
SodimacSodimac 5
SWISSOTEL LimaSWISSOTEL Lima 4
Color
CELULAR S SMOOTH FLIP RED 1.8″
CELULAR S SMOOTH FLIP WHITE 1.8″
CELULAR S SMOOTH LIFE (3G) 2.4″ BLACK
CELULAR S SMOOTH LIFE (3G) 2.4″ DARK GRAY
CELULAR S SMOOTH LIFE (3G) 2.4″ NAVY BLUE
CELULAR S SMOOTH LIFE (3G) 2.4″ WHITE
CELULAR S SMOOTH LINK BLACK 1.4″ 2G
CELULAR S SMOOTH LINK BLUE 1.4″ 2G
CELULAR S SMOOTH LINK GREY 1.4″ 2G
CELULAR S SMOOTH LINK RED 1.4″ 2G
CELULAR S SMOOTH LINK YELLOW 1.4″ 2G
CELULAR S SMOOTH MAX 5, 2.4″ BLACK.
CELULAR S SMOOTH MAX 5, 2.4″ BLUE
CELULAR S SMOOTH MAX 5, 2.4″ GREEN
CELULAR S SMOOTH MAX 5, 2.4″ ORANGE
CELULAR S SMOOTH MINI X BLACK 1.8″
CELULAR S SMOOTH MINI X BLUE 1.8″
CELULAR S SMOOTH MINI X GREEN 1.8″
CELULAR S SMOOTH MINI X ORANGE 1.8″
CELULAR S SMOOTH MINI X RED 1.8″
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.